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Author Archives: la Clarina

Much Ado About the Folio

29 Saturday Nov 2014

Posted by la Clarina in Books, History, Theatre

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Eric Rasmussen, first folio, Saint-Omer, William Shakespeare

ffA First Folio – of all things!

Just imagine – you are dusting off old tomes, you start work on a supposedly dull XVIII Century manuscript, and… First Folio.

How very breath-taking. Quite the stuff dreams are made of…

Ah well.

Here are a few links to see what the press has to say on the matter.

BBC News first, then the New York Times, and the Independent, and France 24 – after all, they found it – all of them understandably awestruck. And then, interestingly, there is the Times Literary Supplement, rather wondering what all the fuss is about.

And yes, I’ll admit that everthing Michael Caines says is true enough – but one cannot help suspecting he is playing contrarian. Never mind how many other First Folios are already in our possession, or how many are still out there, misplaced and waiting to be found – I, for one, find it very hard to resist the combination of Shakespeare’s name, treasure-hunt and fairy-tale feel…

Once upon a time, there was a book. Coated in the dust of centuries, it slept in the little library of an old town by the sea…

It may not be a true holy grail, but it makes for a damned good story, don’t you think?

 

Related articles
  • Shakespeare first folio surfaces in France (teleread.com)
  • Copy of Shakespeare’s First Folio Discovered by a Librarian in France (nerdalicious.com.au)
  • Shakespeare First Folio found in French library (theguardian.com)
  • Unknown Shakespeare folio unearthed in northern France (panarmenian.net)
  • Man finds ultra rare Shakespeare First Folio from the 1600s (theweek.com)
  • Shakespeare First Folio discovered in French library (whitenewsnow.com)

Never a Borrower Nor a Lender Be

27 Thursday Nov 2014

Posted by la Clarina in Books

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Fred Uhlman, Friedrich Schiller, Gerald Durrell, joseph conrad, Stehpen Crane, Thomas Mann, Walter Scott

pol-laertesAlways wise advice – and when it comes to books… eh.

I belong to the foolish kind, though. I have trouble saying “no”. And I’m never smart enough to record what I lend to whom.

Then again, at times, it gets worse. There is this friend of my father’s. He borrowed my copy of Fred Uhlman‘s Reunion, to take with him on a trip. And left it behind in some hotel in Sicily. And half-heartedly tried to recover it, and ended buying me the whole trilogy in a different translation, instead. Next year, he wanted to borrow Schiller’s plays – to take to Sicily again… and do you think either of us had learnt anything? He got the book, went to Sicily, came back without my Schiller, bought me another one – and had the gall to tell me Schiller was a dead bore anyway.

Yes, well.

Then there are the ones who borrow, misplace, then find again and give back years later. This happened to me with Mann’s Buddenbrook. The borrower was a school friend, who kept it for ages, then blushingly confessed to losing my book – and what do you do? Much as one may wish it, one cannot very well kill a girl over a lost book – can one? Then, say, three or four years later, she informed me my Mann had been in her dad’s library all the time, and did I want it back?

Another time, out of misguided zeal, I lent a copy of my beloved Lord Jim to my uncle’s then fiancée – and then forgot about it*. Apparently, so did the fiancée, because a couple of years later, while browsing her library, I came across this familiar spine, and asked her where she’d got the book…

“Oh, who knows?” she said breezily. “Must have borrowed it somewhere, I don’t remember. Such a dreary, boring, stupid thing. Never went past page ten…”

“You borrowed it from me,” I informed her. “It is mine.”

Well, it’s not as though we’d liked each other before…

But these are the stories with a happy ending. Another schoolmate lost – irretrievably – my very vintage Ivanhoe. And a cousin still swears she gave me back a collection of short stories by Tolstoj I never saw again. And who knows who has still my copy of Durrell’s The Picnic and Suchlike Pandemoniums?

Yes – I’ve said it: I’m foolish, and I don’t even keep a list of my loans… To my credit, I’ve become slightly warier with the years. Now I choose with care who is going to walk away with my books. If I lend you a book, it must mean I trust you. Please, though, remember you had it from me – because I might forget…

But, as a happy ending to this post, I’ll relate one last little story. A couple of years ago, I lend Crane’s The Little Regiment to a pupil. Then the course ended, and we all went our separate ways, and my book never reappeared. We kept loosely in touch through Facebook, and I’m afraid I rather pestered the fellow for my Crane… Well, either he’d misplaced it and then found again, or I don’t know what happened – but last week I received a small, flat parcel in the mail, and what must it contain, but my (presumed) lost Crane?

As Miss Prism would say, I was delighted to have it so unexpectedly restored to me.

So, what about you? Do you borrow books? And lend them? And how do you go about getting them back?

__________________________________________

* It was not *my* copy, or I would have known.

Michael Goodliffe, Wartime Actor

25 Tuesday Nov 2014

Posted by la Clarina in History, Theatre

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Michael Goodliffe, Prisoner-of-war camp, theathre, World War II

ghostMichael Goodliffe was an English actor who died in 1976. Some of his most interesting achievements were in Germany where he was held as a prisoner of war from 1940 to 1945.

Here you can find the fascinating tale and a lot of images of Goodliffe’s theatrical productions in several prison camps – the hardships, the daily battles and the joys of putting up show after show in the least promising of contexts…

And yet.

Art will blossom right where and when it is most needed, won’t it?

Shakespeare After All

22 Saturday Nov 2014

Posted by la Clarina in History, Theatre

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Harvard Extension School, Marjorie Garber, William Shakespeare

HESA free online course, today, from the Harvard Extension School.

Marjorie Garber, author of the book of the same name, delivers 12 two-hour-long lectures on Shakespeare’s later plays – from Measure for Measure to The Tempest.

I have only watched the introduction, so far, and it sounds pretty interesting – not least because the course covers quite a few of the less well known plays.

And it is free, and it can be taken at one’s chosen time and pace… Isn’t it just great?

 

Truth & Reality

20 Thursday Nov 2014

Posted by la Clarina in Theatre

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archery, Odysseus, realism, theatre

OdysseusBowBack when I  worked as an assistant-director with a small company, there was this time when the director got sick, and I was left in charge of an open-air performance of a play about Odysseus coming home to Ithaca.

And I suppose it was because of my youth and inexperience that the leading man, an ancient archery buff, thought it was his chance of doing a stunt he must have had in mind for some time. You know the scene where Odysseus shoots an arrow through twelve axe heads? Well, about an hour before curtain-up, the fellow informed me he was going to shoot a real arrow. He even had brought his own period bow…

“But you can’t!” I squealed – and he proceeded to explain that he didn’t mean to shoot through our prop axes, just somewhere offstage…

Now, even discounting the awful danger of shooting at random in a crowded public place (just think of Tamburlaine Part II at the Rose!), our Odysseus was completely missing my point. And please, don’t think I wasn’t worried about our leading man shooting some unsuspecting member of the audience. I was, very much – but, since all my knowledge of archery comes from historical novels, my standing on the subject was clearly non-existent.

Still, the point I meant to impress on Odysseus was that, theatrically speaking, we had no need whatever of his real arrow. His job as an actor wasn’t shooting real arrows, but showing the audience the truth of an arrow that wasn’t there.

And if he did well his job of nocking, aiming and releasing, if everyone else onstage did well their job of starting, flinching, being astounded – then the non-arrow would be much more effective and meaningful, much truer than any real arrow shot for real.

Because what happens on a stage is, you know, fiction painted with colours of truth. It is not real, never for a moment – but it is true inside the circle of the suspension of disbelief: do tell me a story, and, for the time it takes, we’ll all pretend it is true. But the story’s effectiveness, meaning and beauty have nothing to do with how real the arrows are.

It is, after all, the very essence of what we do: we use means to create an effect. We pursue truth by way of lies. We shoot imaginary arrows to amaze in truth. And we (should) never forget that truth and reality are not the same.

Why, realism sounds even a little out-of-place on a stage: should we really seek reality in theatrical fiction, whose governing law can be summarized as “Please, lie to me – convincingly and gracefully”?

Oh, and in the end there was no real arrow – thank heaven. I’d like to chalk it up to my convincing bit of theatre philosophy, but I’m afraid it was more a certain wariness of legal consequences…

Ah well – at least we killed no one.

 

Vintage Theatre

18 Tuesday Nov 2014

Posted by la Clarina in Theatre

≈ 2 Comments

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sonnets, staged reading, theatre images

wsJust back from the theatre – where the staged reading was a huge success before a very full house. Ah, but I am blissfully happy at how my words and the intelligent, witty artistry of our leading man combined to shape the Will Shakespeare I wanted to bring onstage…

And then there was a late dinner with the company, devoted in equal parts to comments on the performance and plans for the next stages of the workshop…

All of which is why here is a little celebrative link of vintage theatre images.

Enjoy – and colour me happy.

Related articles
  • Shakespeare on demand: Globe theatre launches digital player (theguardian.com)

A Plunge in the Massacre

15 Saturday Nov 2014

Posted by la Clarina in Theatre

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christopher marlowe, Mathew Lyons, The Massacre at Paris, The Rose Playhouse

massacreAnd today a post from writer and historian Mathew Lyons’ very interesting blog.

This The Massacre at Paris: Kit Marlowe, the Rose Playhouse and me is an intelligent and thoroughly enjoyable look at Marlowe, his last play, theatre in general, what appears to have been a remarkable production of the Massacre, and the role Mathew Lyons played in it.

With no prior acting experience, he found himself plunged into a complex professional production of a difficult play… The esperience seems to have been both terrifying and exhilarating. I have no difficulty believing it.

Staged reading!

13 Thursday Nov 2014

Posted by la Clarina in Theatre

≈ 5 Comments

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Accademia Campogalliani, playwrighting, Shakespeare's Sonnets, staged reading

LocGenericaScrSo, my Sonnets play is getting its staged reading next Monday, as… well, basically as part of the 2014 Shakespearean celebrations.

For several reasons, I haven’t been able to attend rehearsals, so it’s going to be a complete surprise. I don’t mind too much.

Through the years I have worked with directors who firmly instructed me to stay the hell away until first night, and with directors who wanted me around so much that the whole process turned into one giant workshop right up to dress rehearsal* – and just about everything in between.

I love being there to see the thing shape itself, and build on my words, but I love just as much the sudden revelation when the curtain goes up, and my play appears in its new form.

Both ways, I have been lucky enough to work with wonderful people who know their stuff, and know how to make the most of mine – so that, both ways, the game has always been magical and highly rewarding.

The Man of the Sonnets is going to be a new experience in its halfway-ness: as I said, I attended no rehearsal for the staged reading, but I gather there will be some workshopping with the author afterwards…

Meanwhile, though, Monday night will fall in the Sudden Revelation category, and I find myself burning with anticipation. Butterflies flutter in my stomach at the thought of sitting in the darkened house, waiting for the curtain-up… Or shall I watch from backstage? I’m not clear yet. I’ve been asked to briefly introduce the play to the audience, and I’m not sure there will be time for me to go back to my seat once I’m done.

Again, I don’t terribly mind either way: I’ve watched my (and plenty of other people’s) plays from both the seats and backstage, and from the lighting board – and love it both ways, for different reasons. At the risk of sounding like some insufferable stage-mad Pollyanna, there isn’t much that I don’t love, when it comes to theatre…

But bear with me. I’m having a staged reading in five days, done by people whose work I like, and if all goes well – the Bard and Thalia willing – it will prelude to a full production, and I’m all a-flutter over it.

Eh.

___________________________________

* Which is how I eventually took up lighting design… but this is a tale for another time.

 

Lost & Found

11 Tuesday Nov 2014

Posted by la Clarina in Books

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Robert Louis Stevenson, The Hair Trunk, The Scotsman

English: Robert Louis Stevenson at 26 Français...Have you heard the news?  It seems that R. L. Stevenson’s lost The Hair Trunk, wasn’t quite as lost as everyone thought – rather just misplaced. The story about a bunch of Cambridge students founding their own little Commonwealth, and learning the shortcomings of utopia, which Stevenson wrote when he was only 27, turned up in manuscript form, and was transcribed and published.

An extract can be read here, on The Scotsman’s Write Stuff page. The accompanying article calls The Hair Trunk is a masterpiece – a claim with which, on the sole strength of the extract, I can neither agree nor disagree. The idea is certainly whimsical, but I’d rather suspend my judgment.

When it comes to Stevenson, I’ve grown wary of “masterpieces”. When I read the unfinished Weir of Hermiston – which Stevenson himself considered well on its way to become his masterpiece – I was rather disappointed. I love Stevenson, and from a novel that filled its own author with such enthusiasm, I expected… oh, I don’t know: I expected better. Then again, Weir is unfinished, and therefore hard to compare to Stevenson’s finished and published work. Then again again, THT is very early work. Then again again again, I’m the one with a weak spot for early and atypical works – so perhaps I’d better stop speculating, and read the damn story instead.

I’ll let you know.

 

 

Lost Play Database

08 Saturday Nov 2014

Posted by la Clarina in Theatre

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Lost Plays Database, University of Melbourne

LPDDid I mention already how much I love the Internet?

I just discovered something utterly and absolutely wonderful: the University of Melbourne’s Lost Plays Database.

In the staff’s own words, it is…

a wiki-style forum for scholars to share information about lost plays in England, 1570-1642. Its purpose is to add lost plays to scholarly discussions of early modern theatrical activity. The editors believe that lost plays are a potential source of significant information on playwrights, playing companies, venues in London and the provinces, repertory studies, and audiences. The database provides a web-accessible, web-editable site for data on these plays concerning theatrical provenance, sources, genre, and authorship.

It is a real treasure trove of information, and something you browse at your own peril: you go there for a brief visit and seeking a specific detail – and come away hours later, dazzled and happy.

Amongst countless wonders, I found there Warburton’s list of the plays Mrs Baker burned in the stove… Oh, Mrs Baker! And, in truth, the list sounds almost too good to be true, doesn’t it? I’m afraid one has to wonder whether it wasn’t at the very least spiced up with some wishful listing…

And it strikes me that, in a way, the list, in its post-Betsy version, was after all a forerunner of the LPD… Happily, the LPD is safe from zealous, thrifty cooks.

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