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Some Kipling today.
I’ve always loved this one, and was reminded of it last night, as I sat in the garden at twilight, watching as the small grey bats flew circles, quite a dance, lower and lower around me, entirely unafraid…
They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate,
(They fear not men in the woods,
Because they see so few.)
You will hear the beat of a horse’s feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods.
But there is no road through the woods.
I don’t know whether there are ghostly presences in my garden – although the house was built on the site of a Napoleonic battlefield, so who am I to say there aren’t – but the idea is a very pleasant one to entertain on a blue-green summer evening, in a garden gone slightly wild, where birds and bats and hedgehogs are reasonably sure that no one will bother them.
I’ve said before, I think, how utterly fascinated I am with the way each era, since the late 17th Century, has tried to mould a Shakespeare of its own. Rewriting his works to make them merrier, or more classical, or less earthy, but also refashioning again and again what (comparatively) little we know of him into one or other ideal portrait – from John Aubrey’s merry poacher to W.H. Ireland’s perfect gentleman… 
I’m in the mood for poetry today – so why not some Emily Dickinson? Emily is one of a surprising number of poets in my literary pantheon… and I call it surprising because I don’t write poetry, unless it is by accident. Then again, I read it, and I’ve always wished I knew how apply to prose the compact effectiveness of it… 
I’ve been meaning to write this post for some time now – and I mean quite some time. Last Spring, as I adapted Puck of Pook’s Hill for the stage and chose Rackham illustrations to make into scenery, and later, as I rehearsed the thing with my cherry-picked cast, and then as our Monday drew close – and later again, when all was done and gone well… Only, there was always something else to post about, or perhaps it was too soon, or… you know how it goes.
Autumn!
Manfred, King of Sicily – 
I first came across Tom o’Bedlam via Kipling – in 