Or at least Charles Arrowby – the protagonist and narrator of Iris Murdoch’s novel The Sea, The Sea. And Charles, a retired director, playwright, and sometime actor, has a lot to say about the theatre… Continue reading
Frantic days, hectic week. We’re debuting Carlo Emilio Gadda’s Quer Pasticciaccio Brutto de Via Merulana (That Awful Mess on Via Merulana) on Saturday, and we have dress rehearsal in little more than an hour, and everything – but everything – has happened, ranging from the hilarious to the highly depressing, so much so that we weren’t even quite sure we could début at all until the other day, and is this ever a run-on sentence! Continue reading
Let’s begin with the time-travel quality of just entering the place, climbing up the wooden stairs (we opted for the gallery benches – with cushions), watching from above the groundlings standing in the pit… Oh, the thrill of it!
And then the play itself: lively, colourful, full of song and music, with touches of that kind of melancholy, angry lust for love and life that goes with wartime – given that the setting is the Mexican Revolution… Continue reading
Well, not really. It’s not that I’m going to take up acting again. Rather, I’ve acted again after… what, twenty years? It goes like this: as a teenager I decided that I wanted to be an actress, and began to take drama classes when I was sixteen. I happened to find a very, very good teacher – one who had the patience to draw me out and drill me hard. With rather good results, if I say so myself. I worked hard at it for four or five years, thinking that I’d go on with it, and go professional… Continue reading
How did Shakespeare in the Jungle go, after all?
The answer is: surprisingly well.
Well, the mosquitoes were many, Chinook-sized, and hungry, and the heat murderous – but, in spite of that – and of and the lack of advertising – the garden filled up to capacity… And let me tell you this: few things galvanize a performance like an unexpected audience. Continue reading
We’re playing Shakespeare in Words, tonight. A kind of anniversary performance, in the same lovely place where we debuted almost exactly one year ago – but with the new version, showcasing how the play has grown since.
Nice, isn’t it? Continue reading
I don’t know whether I told you that I was formally adopted into the Other Company – Nina’s people – last April. I was already their resident author, and now am a full member, and will start teaching play-writing in the Company’s school next October. Also – possibly the most thrilling aspect of my change of status – I’ll get to direct my own Lunedì this year… Continue reading
We had Of Men and Poets again, last week. A one-off performance in the small garden of the small Virgilian museum in the small town where we like to think Virgil was born. On paper, it was perfect: the summer evening, the right place…
True, because of a couple of last-minute substitutions, and because it came in between other things, Nina settled on a reading, rather than a full performance. But we’ve done this before: it’s still lovely to see, and very effective, so nobody worried a whit.
But perhaps we should have. Continue reading
Let me tell you a story. Do you remember Ugo Foscolo and his Salamini/Little Sausages? Do you remember as both I and my friend Dave in the comments wondered how on earth could he have made such a tragedy-killing blunder?
Well, it may be that I know just how… Continue reading