I think I told you how, back in December, at the dress rehearsal for A Christmas Carol, we had the benefit of a row of rows, complete with screaming match in the green room between Nina the Director and Mrs. Cratchit. It was explosive enough to scare children, upset dressers, and perplex casual viewers – but, as is the case with most of these things, it evaporated quite quickly, and with little or no visible damage. Continue reading
I think I told you in passing that I parted ways with the Squirrels… It happened earlier this year – around March, actually – and there were Reasons. It was a hard thing to do, after a decade with them, and a much longer time, if on and off, with Gemma the Director – but I had choices to make, and… Reasons.
It was a mostly civilised affair: I explained, and teared up a little, and they were mostly quite nice about it, and some of them actually teared up in turn. So I came away, and exchanged calls and emails with Gemma now and then, but never acted on the standing invitation to go and sit through rehearsal with them – because… well, I’d come away. I’d come away, and I had Reasons, and I didn’t want to tag along unofficially – much less to be dragged in again “just this once”… Continue reading
Oh dear, oh dear, oh dear…
Eight months and pennies! Where have I been all this time? Where has all this time gone while I wasn’t watching?
The fact is, I had a rather nasty flu just after Christmas, and it took me more than a month to be back on my feet, and afterwards… I don’t know. I hadn’t posted a single line in either of my blogs for the whole of January, and then… and then. It’s the way these things happen, I’m told.
But now I’m back. I’ve wanted to be back for some time – only, it was summer, when a) blog life slows down, and b) bloggers grow lazy… well, lazier. So I thought I’d wait for September, and here I am.
What have I been up to, these past eight months – beside not blogging? Well, I’ve translated and adapted a lot for the Company (I’ll tell you more about this in time), I’ve decided to write a short story every month (and stuck with it so far), I’ve sent Out There my novel and a couple of the stories, I’ve directed two school plays (one in collaboration, one on my own), I’ve gone ahead with a (very) long term project of reorganising my study, I’ve spent three lovely days in Florence with my mother, I’ve had my yearly Reading Week, I’ve enjoyed a good deal of great theatre with the Summer Season, I’ve hunted about virtual bookstalls for Paul Roche’s translation of Prometheus Bound, I’ve put together a special Palcoscenico di Carta/The Paper Stage (happening tonight), and I’m afraid I have parted ways with the Squirrels…
So yes, I have plenty to tell you. The plan is a very straightforward one: I’ll go back to my leisurely ways, and post once a week, on Thursdays. I hope you’ll forgive the long hiatus and join me again for the ride. I’ve missed you, O Readers.
Let’s start again, shall we?
Some twenty years ago, on an early summer day like this, I was sitting in a street café in Pavia, waiting for a friend. I’d just bought myself a book at the bookshop next door – and, anticipating a longish wait, I ordered a grapefruit squash, and started to read.
The book was William Somerset Maugham’s Theatre – quite perfect for me, judging from the back-cover blurb – and so there I sat, very much enjoying the picture: street café, book, summer day… And as I read… Continue reading
It’s taken me a surprisingly long time to become aware of the kind of image you see here on the right. I mean, now that I know, I’m finding that the Internet is a-swarm with them – especially Pinterest, where I spend far more time than is good for me… You type “backstage” or “theatre” or anything remotely related, and up they crop by the dozen.
So far, I’ve discovered two kinds of them: the peacock preening in front of a colourful background, for actors’ problems, quirk, and general lore; a badger against a black and gray background is for the backstage crew. Fitting, isn’t it?* Continue reading
So… the day after tomorrow we go onstage.
The School Play, I mean. In theory, we should be doing last-minute tweaks, fine-tuning… In theory all should be well and as good as ready. In theory it should be time of a tech rehearsal, dress rehearsal, and then curtain-up…
Except, well – you know… theatre. Continue reading
Here we go: the School Play – now officially titled Faults of the Fathers, will go onstage in a couple of weeks, and we are hard at work on it. Yesterday afternoon, as I arrived at the Tiny Theatre for rehearsals, I met a friend and colleague at the door.
“How’s it going?” he asked – and I said it’s going the right kind of dreadfully for two-weeks-from-curtain-up, which is frightening to the students but quite typical, and quite true.
And last night’s rehearsals were a perfect illustration of what I mean. Let’s see… Continue reading
So I was asked to read a manuscript, with an eye to a possible stage adaptation. It happened in that roundabout way that entails friends and friends of mutual friends… I’m sure you know how it is. And because of some initial insistence that I should meet the author first, or I could not really understand, I went in with a certain amount of wariness… Continue reading
So, the Canterville Ghost’s second first night came and went – and it was… interesting.
You wouldn’t believe the amount of things that saw it fit to happen. missed cues, blanks, last minutes flying rescues (because the Company is made up of fast thinkers), hitches, mixed-up lines, missteps, misplaced props, a wobbly wing… and the most egregious of them all: our Duke of Cheshire wandering onstage during a scene where not only he didn’t belong – but the Otis Twins were commenting his absence in detail – much to their harried mother’s despair… Continue reading