One of the actors taking part in the Palcoscenico di Carta/Paper Stage project made a very interesting observation.

It all began with a night-time message after the first of three meetings, in which he had read Faust(us) himself.

“This is a little awkward,” he wrote. “I’d like to be told I was good, but I don’t think I was… There’s no time, no room to work on the character – and I see that the PS calls for a reading, rather than a deeper identification… This is how it is, but still I feel inadequate. My fault, for never knowing how to keep to the golden mean.” Continue reading →