I remember reading once that George Eliot wanted everything in Daniel Deronda “to be connected to everything else”.
Well, this is exactly what Titian’s Boatman feels like.
It may not look like it at first, when the reader is introduced to several characters in various places and various times. There is the eponymous boatman, plying his trade in a plague-ridden Venice in 1576, ferrying back and forth Titian’s last surviving son and plucky courtesan Tullia Buffo. Then, in present day London, there are actor Terry Jardine and Italian director Ludovico Zabarella, brought together by Shakespeare and personal loss. Lastly, there’s Cuban maid Aurora, carrying the weight of childhood trauma and widowhood – and finding consolation in a painting… Continue reading