The Raven’s Seal, by Andrei Baltakmens

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The 18th century is lazily going by in the fictional English town of Airenchester, when we meet hour hero, Thaddeus Grainger, the type of young gentleman of means and taste. A bright, clever, careless boy in the words of his doting housekeeper, Thaddeus is in equal parts bored and disillusioned when it comes to the fine society he confidently belongs to, but that is the way of things, and what is a fellow to do – except navigate the currents, and keep apart from the worst of it? In fact, Thaddeus’s only rebellion is to cultivate the close friendship of reasonably genteel but penniless William Quilby, a vicar’s son and journalist… Continue reading

Bernard Malamud and the Lost Quote

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I confess: I’ve never read anything by Bernard Malamud. It’s very possible that I’ll correct this state of things in a near future – but let me tell you a story first.

Years ago – possibly a dozen – I wrote down a quote that said “Stories, stories, stories – to me there is nothing else but stories.” Or something to that effect. I’m quoting from memory, and I’m not sure about the details – but you get the gist. I like the notion very much, and rather share it, and more than once, through the years, I’ve tried to locate the source – but, believe it or not, even the all-encompassing Web was no help… Continue reading

Mother and the Reverse-Julia

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I think I told you how, back in December, at the dress rehearsal for A Christmas Carol, we had the benefit of a row of rows, complete with screaming match in the green room between Nina the Director and Mrs. Cratchit. It was explosive enough to scare children, upset dressers, and perplex casual viewers – but, as is the case with most of these things, it evaporated quite quickly, and with little or no visible damage. Continue reading

We’ll always have writing…

Because we all know that writers write, they write (or try to) all the time, and have this habit of finding stories in the most awkward places, and notebooks are great stress-relief anyway, so…

Are you writing while stuck at home? Writing on as usual? Resurrecting old neglected projects? Drawing inspiration from the current events? Seeking refuge from current events in faraway times and places? Casting around for ideas? Itching to write but not quite doing it? Continue reading

Giorgio

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Giorgio was our Lighting Man. Ah well, he was much more than that. He was a pillar of the Company – had been for five decades. Head Electrician, administrator, Council member, computer wizard, box-office man, prop supervisor… there was little in the day-to-day running of the Company and the Tiny Theatre where Giorgio didn’t have a hand… Continue reading

Life in the time of Covid-19

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We may all have somehow hoped, at least at the very beginning, that the skeptics would end up being right, when they said that in a couple of weeks all would peter out into awkward silence and the next Big Thing…

But they weren’t – and now the whole of Italy is tightly quarantined. To be out and about without documented necessity is a criminal offence, these days, and even to go to the grocer’s you need a written and signed statement to that effect.  I’m not complaining, mind – not in the least. It has to be done – and, if it must work, it has to be done thoroughly. Continue reading

Matthew Arnold’s Victorian Shakespeare

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ShVictorianI’ve said before, I think, how utterly fascinated I am with the way each era, since the late 17th Century, has tried to mould a Shakespeare of its own. Rewriting his works to make them merrier, or more classical, or less earthy, but also refashioning again and again what (comparatively) little we know of him into one or other ideal portrait – from John Aubrey’s merry poacher to W.H. Ireland’s perfect gentleman… Continue reading

Closed for Plague

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Late in January 1593, the Privy Council, worried about what looked like a new bout of plague, wrote a letter to London’s authorities, ordering to close all playhouses. It was one of many times this happened: City fathers, Privy Council, Puritans – a lot of people seemed ready to blame the playhouses for anything, from the corruption of minds, to general dishonesty and health troubles. Let us say that an attempt to contain contagion was one of the saner reasons for closing them down… Continue reading

Matthew Plampin’s Will and Tom

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I remember picking up Matthew Plampin’s Will and Tom in the bookshop at the Tate Britain – and then putting it back, just as I’d put back half a dozen other hardbacks in the last day. In truth, after lugging many and many and many pounds of books across Europe over the years, I’ve learned, when I’m travelling, to only buy the ones that can’t conceivably be procured through the Net – either digitally or physically. So I jotted down the title in my notebook’s dedicated page, and in time the novel found its way to my Kindle. Then, for some reason, it took me a few years to get round to actually read it. If you have a To Read List of any length, you know how these things happen… Continue reading

In Remembrance

Once upon a time, years ago, I was stuck on a scene for a play. It was supposed to be a snappy exchange between two characters, one fearing for his life, and quite mad at the other for not getting the full import of the situation… As we are constantly told that good theatre (or narrative) dialogue must do, it was supposed to advance the plot and add to each character…

Except, it didn’t. No matter how I rewrote, and rewrote again, as soon as I tried to read it aloud it sounded stiff, off-key, downright wrong. I was fit to tear my hair out when my friend Flavia called to ask about something entirely unrelated. But Flavia knew me well enough that, by that small conversation about, say, rubber ducks, she could tell I wasn’t at my happiest. She asked what was wrong, and I said nothing – oh, nothing much. She pressed, and I spilled it all out. Continue reading