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Tag Archives: christopher marlowe

That I like best that flies beyond my reach

28 Saturday Jan 2017

Posted by la Clarina in Poetry, Theatre

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christopher marlowe, Duke of Guise, Poetry, The Massacre at Paris

guiseOh, let’s have some poetry, today – poetry and theatre. Kit Marlowe’s Duc de Guise, painting the full colours of his restless ambition, proudly boasting his cleverness and strength – and, most of all, chomping at the bit:

Now Guise, begin those deepe ingendred thoughts
To burst abroad, those never dying flames,
Which cannot be extinguisht but by bloud.
Oft have I leveld, and at last have learnd,
That perill is the cheefest way to happines,
And resolution honors fairest aime.
What glory is there in a common good,
That hanges for every peasant to atchive?
That like I best that flyes beyond my reach.
Set me to scale the high Peramides,
And thereon set the Diadem of Fraunce,
Ile either rend it with my nayles to naught,
Or mount the top with my aspiring winges,
Although my downfall be the deepest hell.
For this, I wake, when others think I sleepe,
For this, I waite, that scorn attendance else:
For this, my quenchles thirst whereon I builde,
Hath often pleaded kindred to the King.
For this, this head, this heart, this hand and sworde,
Contrive, imagine and fully execute
Matters of importe, aimed at by many,
Yet understoode by none.
For this, hath heaven engendred me of earth,
For this, the earth sustaines my bodies weight,
And with this wait Ile counterpoise a Crowne,
Or with seditions weary all the worlde:
For this, from Spaine the stately Catholic
Sends Indian golde to coyne me French ecues:
For this have I a largesse from the Pope,
A pension and a dispensation too:
And by that priviledge to worke upon,
My policye hath framde religion.
Religion: O Diabole.
Fye, I am ashamde, how ever that I seeme,
To think a word of such a simple sound,
Of so great matter should be made the ground.
The gentle King whose pleasure uncontrolde,
Weakneth his body, and will waste his Realme,
If I repaire not what he ruinates:
Him as a childe I dayly winne with words,
So that for proofe, he barely beares the name:
I execute, and he sustaines the blame.
The Mother Queene workes wonders for my sake,
And in my love entombes the hope of Fraunce:
Rifling the bowels of her treasurie,
To supply my wants and necessitie.
Paris hath full five hundred Colledges,
As Monestaries, Priories, Abbyes and halles,
Wherein are thirtie thousand able men,
Besides a thousand sturdy student Catholicks,
And more: of my knowledge in one cloyster keep,
Five hundred fatte Franciscan Fryers and priestes.
All this and more, if more may be comprisde,
To bring the will of our desires to end.
Then Guise,
Since thou hast all the Cardes within thy hands
To shuffle or to cut, take this as surest thing:
That right or wrong, thou deal’st thy selfe a King.
I but, Navarre. Tis but a nook of France.
Sufficient yet for such a pettie King:
That with a rablement of his hereticks,
Blindes Europs eyes and troubleth our estate:
Him will we–

(Pointing to his Sworde.)

But first lets follow those in France.
That hinder our possession to the crowne:
As Caesar to his souldiers, so say I:
Those that hate me, will I learn to loath.
Give me a look, that when I bend the browes,
Pale death may walke in furrowes of my face:
A hand, that with a graspe may gripe the world,
An eare, to heare what my detractors say,
A royall seate, a scepter and a crowne:
That those which doe behold them may become
As men that stand and gase against the Sunne.
The plot is laide, and things shall come to passe,
Where resolution strives for victory.

One imagines that Ned Alleyn, with his imposing presence and deep, dark voice, must have been rather impressive in the part.

And besides… what can I say? I never read Marlowe’s dark heroes without imagining that there must have been days when he felt too large and too fiery for his own circumstances – and not much besides poetry as an outlet. Is it fanciful to think that he was the one forever burning for things beyond his reach?

Salva

Henry Four Hands

10 Thursday Nov 2016

Posted by la Clarina in History, Poetry, Theatre

≈ 5 Comments

Tags

christopher marlowe, Henry VI, New Oxford Shakespeare, Oxford University Press, Shakespeare authorship question, William Shakespeare

noxsSo, the New Oxford Shakespeare credits Christopher Marlowe as co-author of the three Henry VI plays.

Well, actually fourteen more plays get co-authoring credits by someone else, and Arden of Faversham is added to the Canon, as well as one added scene in Kyd’s Spanish Tragedy…  But – probably because he is more widely known, and because of the Authorship rumours ever since Ziegler – the idea of Kit Marlowe having had a hand in the Henrys is doing most of the splash.

“Happy now?” asked Davide Mana of Karavansara – who has little sympathy for Kit Marlowe. Continue reading →

The Collier Leaf

25 Tuesday Oct 2016

Posted by la Clarina in History, Theatre

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christopher marlowe, John Payne Collier, Marlowe Society, the Collier Leaf, The Massacre at Paris

massacre-at-parisIt’s hard to read the Massacre at Paris without wondering a little at the slightly corner-cutting feel of it. It seems hastily done in its violence and gore, and there is the fact that it is considerably shorter than the average Marlowe play. So it has long be assumed that the Octavo edition we have must be the result of some actor’s imperfect memory.

And then there is the Collier Leaf. Continue reading →

The pointlessness of murdering spies

11 Tuesday Oct 2016

Posted by la Clarina in Poetry, Stories

≈ 4 Comments

Tags

christopher marlowe, Deptford, Elizabethan spies, Patricia Beer, Poetry

patriciabeerPoetry, today. And some Kit Marlowe, for a change… But not Marlowe’s own poetry. Patricia Beer‘s The Night Marlowe Died may not be her best known poem – nor my favourite of her works – but still: Continue reading →

Antonia Forest: The other Player’s Boy

25 Thursday Aug 2016

Posted by la Clarina in Books, Theatre

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Antonia Forest, Bryher, christopher marlowe, The Player's Boy, William Shakespeare

Antonia ForestOh yes, there is another one. Same title, but a very different book. Antonia Forest was a children’s writer – and, although this is one of those children’s book that are a pleasure to an adult reader, it’s definitely lighter fare than Bryher’s novel.

The story itself is of the Runaway Boy sort: at eleven, Nicholas Marlow lives with his much older, wealthy and indulgent brother, and studies at the local grammar school… Continue reading →

The Making of Marlowe’s Jew

23 Tuesday Aug 2016

Posted by la Clarina in Theatre

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christopher marlowe, Douglas Morse, Marlowe in Performance, Seth Duerr, The Jew of Malta

JewBack in 2012 Douglas Morse directed a movie version of Kit Marlowe’s Jew of Malta. Judging by the trailer and teasers, it looks like filmed theatre, with a curious mix of period and non-period costumes and settings… Continue reading →

Marlowe according to Albert Decaris

30 Saturday Jul 2016

Posted by la Clarina in Books, Theatre

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Albert Decaris, christopher marlowe, Heritage Press, illustration, Limited Edition Club, Saint Lucia, Tamburlaine the Great

Untitled 13Dear Saint Lucia,

I’m not sure I’ve been  good enough so far for this – but, were you by any chance wondering about what  I might wish for December, here is an idea: I’ve discovered the existence of this lovely edition of four plays of Christopher Marlowe, published in the mid Sixties by Limited Edition Club and then Heritage Press, and illustrated by French artist Albert Decaris.

As you can see from the Tamburlaine here left, the illustrations are a wonder, and the whole book seems to have been conceived with much flair, design-wise… Continue reading →

Searching Shakespeare – and Marlowe

16 Saturday Jul 2016

Posted by la Clarina in Books, Poetry, Things

≈ 2 Comments

Tags

christopher marlowe, Open Source Shakespeare, searchable works, the Literature Network, William Shakespeare

Untitled 10You know when you know there is that perfect bit in Shakespeare, that line about this or that? You know the speech you need is there, somewhere – but can’t exactly place it, let alone find it…  Continue reading →

Kathe Koja, Kit Marlowe and modern patronage

28 Tuesday Jun 2016

Posted by la Clarina in Books

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christopher marlowe, Kathe Koja, patronage, Roadswell Editions

Lieder

Rick Lieder’s KM

My friend Davide, he of the Karavansara blog, alerted me to Kathe Koja’s project, Christopher Wild.

She’s writing a novel about Kit Marlowe, and there will be a very limited “bespoke edition”. Twenty-nine (or nine-and-twenty, as Elizabethans would have spelt Kit’s age when he died) patrons will receive not only a personalised hardback copy, but also monthly reports on the novel’s progress, author’s notes, research bits and so on – Continue reading →

Murdering Marlowe

23 Thursday Jun 2016

Posted by la Clarina in Theatre

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Anne Hathaway, blank verse, Charles Marowitz, christopher marlowe, Clemence Dane, Emilia Lanier, Murdering Marlowe, William Shakespeare

Untitled 22On the face of it, Charles Marowitz’s play Murdering Marlowe has more than a little in common with Clemence Dane’s Will Shakespeare.

Like Miss Dane, Marowitz goes for blank verse. Like Miss Dane, he places young Shakespeare firmly in the shadow of young Marlowe. Like Miss Dane, puts a woman between the two – more or less torn. Like Miss Dane’s, his Anne Hathaway is left-behind and whiny. Continue reading →

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