More of Scadbury

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ScadburyBookRemember when I said I hoped the will and funds could be found to preserve what remains of Thomas Walsingham’s Scadbury Manor in Kent?

Well, thanks to the Marlowe Society, who alerted me to the fact via Twitter, now I know that the effort is indeed being made. You can find about it here, on the site of the Orpington and District Archeological Society. Continue reading

And What is the Audience Doing?

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jeffreyHatcherThis is from the author’s introduction to Jeffrey Hatcher‘s The Art & Craft of Playwriting:

Maybe you want your play to right a wrong or expiate a guilt or tickle a funny bone or change the world. Fine. But remember this question, one Dr. R. Elliott Stout, my theater professor at Denison University, had framed above his desk: “AND WHAT IS THE AUDIENCE DOING ALL THIS TIME?” David Mamet, who wrote such great plays as Glengarry Glen Ross and American Buffalo, once noted that the two hours an audience spends at the performance of a play is a lot to ask of a person’s life. Count the hours spent in the dark by even the most infrequent theatergoer and by the time he reaches eighty-three years of age, you’ll find he’d like a lot of those hours back. Our job in the theater is to make that octogenarian regret not one moment he’s spent in the dark.

Think of the times you’ve gone to the theater at the end of a long, tense, tiring day. You got the ticket for some godforsaken reason, and as the clock ticks toward eight, you want nothing more than to leave the theater and get home as soon as possible. You look at the program and are horrified to find the production has not one but two intermissions. You won’t be home until eleven or twelve. You look for the exit, but before you can make your move, the crowd grows silent, the lights go down, and you’re trapped in your row. You know in your bones it’s wrong to yell “fire.” And then it’s forty minutes later, the lights are up, the crowd is moving to the lobby, and all you can think about is how excited you are to find out what’s going to happen in the second act. You go back to your seat well before the curtain goes up again because you don’t want to miss a beat. Suddenly it’s the second intermission, and you don’t leave your seat this time because you’re actually talking about the play with the stranger next to you. Then the lights go down again, and before you know it the curtain call is over; the actors have left the stage, and you’re still applauding. You’re still sitting in your seat. You don’t want to leave the theater. And you’re trying to remember the last time a play made you feel that way.

That’s our job as playwrights. That’s what we do. We compel tired people, who have every reason to leave, to stay in their seats. And love staying. And come back for the next one.

Yes! Indeed. At times one can forget the people sitting in the dark – but in the end, it’s all about them. It’s a thought-provoking little shift of perspective, isn’t it? I think I want that question framed too…

The Ruins at Scadbury

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I’ve said it before, and I’ll say it again: I’m no Marlovian, thank you very much. I think Kit Marlowe was a genius without adding Shakespeare’s canon in the bargain and, if you wanted to pigeon-hole me, you could say I’m an orthodox Stratfordian who occasionally enjoys the story potential of alternative theories – provided it’s done well.

This is to explain that I don’t share the opinions contained in the Marlowe Studies Website. Still, they have lovely things there – one being a series of black and white images of Thomas Walsingham’s Scadbury Manor. Or at least, what remains of it. Continue reading

The Flight of the Heron

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ReadingfIn the end, my Christmas Reading Vacation (henceforth CRV), boiled down to one book – the first volume of D.K. Broster‘s Jacobite Trilogy.

My choice fell on The Flight of the Heron because a stirring adventure in the Highlands seemed like fitting material for Christmas time, and I wasn’t disappointed.

To begin with, The Flight of the Heron is a colourful tale of derring-do, with two very different heroes. In spite of being orphaned at a young age, young laird Ewen Cameron has everything: a loving substitute family, an adoring clan, a lovely and plucky fiancée, an exquisite sense of honour – and he is even uncommonly handsome. He’d be at the risk of being insufferably perfect, if a sense of humour and a boyish touchiness weren’t there to redeem him. Continue reading

Midnight in the Past

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Past&FutureI had an interesting discussion with a friend, a few days ago – about… well, about past and future.

Yes – yes, he is the kind of friend with whom you chat late at night, and wax philosophical, and at one point he said that it bothers him that he will not see all of the future. “The best part of the show – and I’ll miss it.” Continue reading

New Year’s Eve

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12Because it’s New Year’s Eve, because I’m reading Scottish things and I’m in the mood, because I love this version arranged by Robert Shaw, because the end of December makes me maudlin beyond the telling, and just because.

Should auld acquaintance be forgot,
and never brought to mind?
Should auld acquaintance be forgot
and days of auld lang syne?

For auld lang syne, my dear,
For auld lang syne,
We’ll take a cup o’ kindness yet
For auld lang syne

We twa hae run aboot the braes
And pou’d the gowans fine;
we’ve wander’d mony a weary foot
Sin’ auld lang syne

And here’s a hand, my trusty friend,
And gie’s a hand o’ thine;
We’ll take a cup o’ kindness yet
For auld lang syne

What are you going to do tonight? It’s theatre for me: first night of a French play first, and then a late dinner with the company. We have a saying in Italy, that what you do on the first day of the year, you’ll do all year – so it can only be a good thing if the New Year finds me in a theatre and in the company of theatre folks. And then of course, on the same principle, I’ll make sure to write at least a little – but that’s for tomorrow.

For now, Happy New Year’s Eve, O Readers.

Through England on a Side Saddle

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Celia-VisageCelia Fiennes, with this lovely, novel-worthy name, was a remarkable Restoration lady.

Though well-born and well-connected (her father was a Viscount’s younger son), she stayed single, which was quite uncommon for her time and station, and occupied her life otherwise.

In 1684, when she was 22, she began to travel around, because it struck her as a healthy occupation – and never stopped (or very little) for nearly three decades. Continue reading

Kipling’s Christmas

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HomesickNothing very cheerful, to tell the truth – but then, I believe it is one of the thresholds to adulthood when Christmas Eve becomes a day of memories, absences and that kind of homesicknes that isn’t quite (or isn’t necessarily) for a place…

So we close the Kipling Year with this “Christmas in India”, so full of longing and homesickness, heavy with the memories of the English Christmas, the snow, the holly and the ivy… The worst time of the year, when one’s half a world away from home, is it?

Dim dawn behind the tamerisks — the sky is saffron-yellow —
As the women in the village grind the corn,
And the parrots seek the riverside, each calling to his fellow
That the Day, the staring Easter Day, is born.
O the white dust on the highway! O the stenches in the byway!
O the clammy fog that hovers over earth!
And at Home they’re making merry ‘neath the white and scarlet berry —
What part have India’s exiles in their mirth?

Full day begind the tamarisks — the sky is blue and staring —
As the cattle crawl afield beneath the yoke,
And they bear One o’er the field-path, who is past all hope or caring,
To the ghat below the curling wreaths of smoke.
Call on Rama, going slowly, as ye bear a brother lowly —
Call on Rama — he may hear, perhaps, your voice!
With our hymn-books and our psalters we appeal to other altars,
And to-day we bid “good Christian men rejoice!”

High noon behind the tamarisks — the sun is hot above us —
As at Home the Christmas Day is breaking wan.
They will drink our healths at dinner — those who tell us how they love us,
And forget us till another year be gone!
Oh the toil that knows no breaking! Oh the Heimweh, ceaseless, aching!
Oh the black dividing Sea and alien Plain!
Youth was cheap — wherefore we sold it.
Gold was good — we hoped to hold it,
And to-day we know the fulness of our gain!

Grey dusk behind the tamarisks — the parrots fly together —
As the sun is sinking slowly over Home;
And his last ray seems to mock us shackled in a lifelong tether.
That drags us back howe’er so far we roam.
Hard her service, poor her payment — she in ancient, tattered raiment —
India, she the grim Stepmother of our kind.
If a year of life be lent her, if her temple’s shrine we enter,
The door is shut — we may not look behind.

Black night behind the tamarisks — the owls begin their chorus —
As the conches from the temple scream and bray.
With the fruitless years behind us and the hopeless years before us,
Let us honor, O my brother, Christmas Day!
Call a truce, then, to our labours — let us feast with friends and neighbours,
And be merry as the custom of our caste;
For, if “faint and forced the laughter,” and if sadness follow after,
We are richer by one mocking Christmas past.

We have something like this in Italy too: Guido Gozzano, a young poet with weak lungs, spent a year traveling the East, in hope that a warmer climate would help him. It didn’t, in the long term – but this is why he spent Christmas 1912 in a solitary bungalow in Ceylon. A keen naturalist, poor Guido does his best to concentrate on the luxuriant beauty of his borrowed garden and the small kindnesses of his native servants, and not to think too much of home… until he hears the bells from the chapel across the valley, ringing for Christmas morning. And then the dam he so carefully built for himself breaks – because bells ring much the same at every latitude – and oh, how he would change all the queenly orchids in Ceylon for a glimpse of the snow and holly at home!

I’m sure he and Kipling would have had much to say to each other.

And, wherever you are – whether you are where you want to be or not – have a sweet Christmas Eve.