Oh yes, July 14th and all that… And since we were discussing Dickens, and mentioned A Tale of Two Cities, I thought I’d put here a very, very old and very compressed silent version of Sydney Carton’s story:
Yes – the whole tale in little more than twenty minutes… Well, it was thirty minutes, originally – because this 1911 ATotC was released as a three-reeler*, but only this two-reel version survives. Still, who knows, maybe the complete one will turn up someday… These things keep happening, don’t they?
Meanwhile, it is always fascinating to see how screenwriters worked back then, with the need to cram several hundred pages of plot and characters into a handful of minutes. True, sometimes they relied on a reasonable certainty that their audiences already knew the story – and this might well be one such case – but we can’t tell for sure, because we still miss one third of the adaptation as it was originally conceived by Eugene Mullin.
For one thing, who knows whether the half-hour version would still have one little title card informing us that it was the best of times, it was the worst of times…?
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* Three weekly one-reel installments, actually – and wouldn’t Dickens have loved that!
A few days ago I was talking books with a reasonably educated and definitely adult acquaintance – and, on saying that I’ve read a good deal of Dickens through the years, I earned a raised eyebrow and this question: but isn’t Dickens a children’s author?
I emerged from my Reading Days last night, for a trip to town to see The Man Who Invented Christmas – and, unlike the rest of my party, quite loved it.
said Winston Churchill… and write it he did. Authors of historical fiction usually go about “writing history” with more modest ambitions – or do they? Just look at Walter Scott or Charles Dickens… And I know Dickens was no historical novelist, properly speaking, but there is no denying that A Tale of Two Cities did much to shape the common perception of the French Revolution…
d History Will Be Kind, The Copperfield Review’s first anthology, provides an interesting exercise in “telling history”. A rich collection of historical short stories, poems and essays, it explores a range of historical periods, characters and events – from Empress Maud to Alexander the Great, from the Third Crusade to 1914 Mexico – and Kit Marlowe, of course. My own very young Kit Marlowe who, in Gentleman in Velvet, learns a hard lesson about consequences and prices to be paid.
