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Tag Archives: A Tale of Two Cities

A Tale of Two Writers

10 Thursday Oct 2019

Posted by la Clarina in Stories, Theatre

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A Tale of Two Cities, Charles Dickens, plagiarism, The Dead Heart, Watts Phillips

Gordon Craig in The Dead Heart

In 1859, as A Tale of Two Cities was being first serialized in weekly instalments in Dickens’ own magazine, All The Year Round, a play by Watts Phillips, called The Dead Heart, made its stage debut at the Adelphi, to much success.

Phillips, a novelist and playwright, had had little luck lately, because he insisted on writing serious, near-austere pieces that pleased the critics (and, apparently, the Queen) more than they did the melodrama-loving general public.

The Dead Heart, though, a stirring tale of the French Revolution, filled with thwarted love, howling injustice, epic struggles, evil abbés, heroic sacrifice, and so on, was a different matter – all the more so because very soon people started to notice the close resemblance between the play and that new novel by Mr. Dickens… Continue reading →

The Best of Times, the Worst of Times

14 Saturday Jul 2018

Posted by la Clarina in Silents

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A Tale of Two Cities, Charles Dickens, French Revolution, July 14th, silent films

Oh yes, July 14th and all that… And since we were discussing Dickens, and mentioned A Tale of Two Cities, I thought I’d put here a very, very old and very compressed silent version of Sydney Carton’s story:

Yes – the whole tale in little more than twenty minutes… Well, it was thirty minutes, originally – because this 1911 ATotC was released as a three-reeler*, but only this two-reel version survives. Still, who knows, maybe the complete one will turn up someday… These things keep happening, don’t they?

Meanwhile, it is always fascinating to see how screenwriters worked back then, with the need to cram several hundred pages of plot and characters into a handful of minutes. True, sometimes they relied on a reasonable certainty that their audiences already knew the story – and this might well be one such case – but we can’t tell for sure, because we still miss one third of the adaptation as it was originally conceived by Eugene Mullin.

For one thing, who knows whether the half-hour version would still have one little title card informing us that it was the best of times, it was the worst of times…?

___________________________________

* Three weekly one-reel installments, actually – and wouldn’t Dickens have loved that!

Dickens for (Italian) Children

12 Thursday Jul 2018

Posted by la Clarina in Books

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A Tale of Two Cities, Charles Dickens, children's classics, Italian publishing, Oliver Twist

A few days ago I was talking books with a reasonably educated and definitely adult acquaintance – and, on saying that I’ve read a good deal of Dickens through the years, I earned a raised eyebrow and this question: but isn’t Dickens a children’s author?

Right then I raised an eyebrow in turn – but I have to admit that my acquaintance had reasons to think so. Very Italian reasons that have little to do with the audience Dickens wrote for… Continue reading →

History Will Be Kind is out!

17 Tuesday Nov 2015

Posted by la Clarina in History, Scribbling, Stories

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A Little Princess, A Tale of Two Cities, Anthology, Charles Dickens, Historical fiction, History Will Be Kind, The Copperfield Review, Winston Churchill

History will be kind to me because I intend to write it,

Churchillsaid Winston Churchill… and write it he did. Authors of historical fiction usually go about “writing history” with more modest ambitions – or do they? Just look at Walter Scott or Charles Dickens… And I know Dickens was no historical novelist, properly speaking, but there is no denying that A Tale of Two Cities did much to shape the common perception of the French Revolution…

So perhaps this is it: we do not so much write history as tell it – and in telling it, we can shape the way it will be understood and perceived.

When Kipling said that if history were told in the form of stories it would never be forgotten, perhaps he did not mean that stories should take over the job of telling history. Perhaps he was stressing the responsibility that goes with the job of telling history in the form of stories… little_princess_fullpage

Just think of Sara Crewe telling dull Ermengarde about the French Revolution, and the severed head of the Princesse de Lamballe being carried over the crowd, stuck on a pike… “The princess was young and beautiful…” Sara tells a gaping Ermengarde – who won’t easily forget her history after that. A shame that Mme de Lamballe was 43 when she met her gruesome death – an age that no little girl would call “young”… So Ermengarde will always remember a picturesque fiction. It may not be very important, provided she remembers the French Revolution, but what of Dickens’s rather biased portrayal of the same period?

And yes – stories are not history, and vice versa. It would be most unfair to blame a novelist for “making things up” or “making things more dramatic”, but Ermengarde’s Princesse still raises interesting questions about the fiction and the perception of history.

Anhistory-kind-sml-2BWd History Will Be Kind, The Copperfield Review’s first anthology, provides an interesting exercise in “telling history”. A rich collection of historical short stories, poems and essays, it explores a range of historical periods, characters and events – from Empress Maud to Alexander the Great, from the Third Crusade to 1914 Mexico – and Kit Marlowe, of course. My own very young Kit Marlowe who, in Gentleman in Velvet, learns a hard lesson about consequences and prices to be paid.

On the whole, it is a little history of the world told through story, as well as an exploration of many ways in which “we” tell these stories…

You can find History Will Be Kind in e-book and paperback format here:

Amazon.com

Amazon.uk.co

Kobo

All else apart, and seeing the time of the year, wouldn’t it make a nice Christmas present for lovers of history and stories?

A Tale of Two (Small) Cities

03 Tuesday Mar 2015

Posted by la Clarina in Stories

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A Tale of Two Cities, Charles Dickens, Eugene Mullin, Nickelodeon, Silent film, Vitagraph

Sydney1911Vitagraph was perhaps the most famous amongst the Nickelodeon Era studios, specializing in historical scenes and literary adaptations. Back in the time of one- or two-reel movies, these pioneers adapted for the screen a good deal of Shakespeare and classic novels – the challenge being to tell a complete story in ten or twenty minutes. Continue reading →

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The Copperfield Review’s first anthology – containing Gentleman in Velvet

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