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Author Archives: la Clarina

No Paper Sculptures

26 Thursday Jun 2014

Posted by la Clarina in Stories

≈ 6 Comments

Tags

Edinburgh Mystery Sculptor

Robert Burns poem Tam O'ShanterI love both the work and story of the Edinburgh Mystery Sculptor, and I have posted twice about her on my Italian blog.

Twice in, say, three years – and that’s pretty much the extent of my knowledge about paper sculptures.

Well, it happened that, soon after my second EMS post, I was contacted by a small local book festival: would I like to go and talk about ebooks? And how about doing it with a gentleman who speaks about paper?

Well, why not, I said – and was told the gentleman would email me soon. And so he did, saying that he had read my blog, and liked very much the notion of the paper sculptures. So, his idea was for him to give a lecture on the historical use of paper, after which I could teach children to make paper sculptures…

A little taken aback, I answered that I knew next to nothing about paper sculptures, and certainly not how to make them – let alone teach anyone… Why couldn’t we – as the festival people had suggested – jointly talk about traditional and electronic books?

The gentleman proceeded to inform me that to talk about electronic books one needed some knowledge of the publishing business. He would have done it himself, if he were interested at all, but he wanted to keep the focus on paper, thank you very much – and my paper sculptures would make a nice complement. How about two classes, one for children, and one for adults?

I was too puzzled to be even miffed at the man’s condescension. Had he even read my emails? My blog he clearly hadn’t – or he might have noticed that the evolution of publishing was, back then, its primary focus – but the mails? after trying once more to convince him that there was no such thing as my paper sculptures, I appealed to the festival people, suggesting that, since they had proposed the collaboration, they might as well manage the communications. I have no idea how they dealt with the trouble, but I got one last, rather brusque email from the man, informing me that since I didn’t want to work with him, he wished me well with my projects.

In the end, the festival settled on two separate events, the Paper Man talked about paper (sans sculptures), and I about ebooks, and we all lived happily thereafter – but sometimes I still wonder: was he really this oblivious, or didn’t he want to share his event, and couldn’t bring himself to say so?

Related articles
  • Scotland’s mystery book sculptor delivers whole flock to Edinburgh International Book Festival (teleread.com)

The Paper Stage

21 Saturday Jun 2014

Posted by la Clarina in Theatre

≈ 3 Comments

Tags

asidenotes, Canterbury, christopher marlowe, play-reading groups, The Jew of Malta, The Paper Stage

1952.PlayReadingI guess much depends on exactly which sort of magic you seek when it comes to theatre – because there are so many.

But if you love the words, and all the imagining the words can spark off, then a play-reading group might be your thing. It might be mine: much as I have been increasingly busying myself with such production aspects as stage direction and lighting, I’m a playwright first. And, words being my stuff, I would love to be part of a project like The Paper Stage: people gathering at the Gulbenkian Cafè, in Canterbury, to read Elizabethan plays aloud.

No experience needed, and, from what I gather, no rehearsals: one just lets the group know, turns up, and… reads. And the play takes on a life of its own, judging by last month’s Romeo and Juliet.  Oh, to be in England, now that such a brilliant idea is here…

As researcher and blogger Eoin Price says in his asidenotes, this means a chance to hear – if not to see – performed plays that are seldom staged, and to explore the varied richness of Elizabethan theatre in much more depth than it is usual.

Wish I could be in Canterbury next Monday, for the second Paper Stage event, a reading of Marlowe’s Jew of Malta. And because obviously I can’t, I’m already wondering: can I think up a Paper Stage-like group around here?

Related articles
  • Forerunners of Elizabethan Tragedy: Thomas Kyd (reginajeffers.wordpress.com)
  • Marlowe at Canterbury (asidenotes.wordpress.com)
  • Elizabethan Rose theatre set to bloom again (guardian.co.uk)

Ten Reasons Why “Lord Jim” Is My Book

19 Thursday Jun 2014

Posted by la Clarina in Books

≈ 4 Comments

Tags

joseph conrad, Lord Jim

lord-jim-joseph-conrad--4123-MLA145466825_3745-F“I wonder – no, I want to know, I demand to know how come that, of all books, your Book is that depressing Lord Jim,” says T.

“Oh, for… for any number of reasons. And it’s not depressing.”

“Any number… Such as?”

Such as. I start counting on fingers, and come up with ten – which is not any number, but is a number, undeniably.

“You are going to make a post out of this, aren’t you?” asks T., with that air of knowing the ways of bloggers… And well, I couldn’t very well disappoint, could I?

So, what it says on the tin: ten reasons why Conrad’s Lord Jim is My Book.

I. Because the first time I read it, I gave up on page 12, thinking that I thoroughly disliked it. In fact, by then, I was so hooked that I had to go back, and read, and finish it.

II. Because, twentyfive years later, every time I re-read it, I find some new nuance, some facet I had missed, some wonder buried a little deeper.

III. Because the main character is so beautifully written, that he is as real to me as though I’d met him in the flesh. I know Jim –  I know his voice, the way he thinks, the way he moves*. He is very nearly family.

IV. Because at hard times, or facing tough choices, this is the book I go back to, even though – or perhaps just because – it is a sorrowful story of guilt, failure, regret, of missed chances, and missed redemption.

V. Because at eighteen, reading an abridged version of the English original, I fell in love with the language, and discovered its beauty, and lost my faith in literary translation. That the author was, like myself, a non-native speaker, was to become highly inspirational in later years.

VI. For the tiny scene where, after defeating Ali’s people, the villagers wildly cheer Jim with gongs and tam-tams, waving yellow, white and red banners. It’s just five lines, told by a narrator who heard Jim’s version from Marlow – a rather dizzying game of Chinese boxes – and yet, it’s… illuminated in my memory with startling vividness.

VII. Because, in lesser hands, this could have been just another exotic adventure, and a very melodramatic one – but Conrad makes it a tragic tale of the unability of living up to one’s own standards. Not only is Jim flawed, buy he succumbs to his flaws. He misunderstands himself and everyone else, pursues or dreads illusory things, fails to learn how to deal with reality, and pays (and makes many others pay) a terrible price, in the bleakest of endings.Conrad

VIII. Because at sixteen, reading this book for the first time, I learnt that writers must be merciless to their characters – never spare them anything, never protect them from themselves, from the plot, from the reader’s judgement.

IX. Because through Conrad’s complex structure and characterization, I had my first inkling of the certainty that writing was not about waiting for inspiration to open one’s heart and pour the contents on the blank page. Through readings, re-readings, analyses and dissections, LJ was my first writing course.

X. Because for twentyfive years I have beem yearning to write… not a book like this, but one with its itensity, shadows, depth, power and beauty. Wish me luck.

And what about you? What has Your Book done for you?

_____________________________________________

* And he doesn’t look like Peter O’Toole. Not in the least.

Picture Shakespeare

14 Saturday Jun 2014

Posted by la Clarina in Theatre

≈ Leave a comment

Tags

Internet Archive, John Thurston, Mainz University, shakespeare

www.pinterest.comLook what I found: a collection of art inspired by Shakespeare, with a definite emphasis on XIXth Century paintings. You can browse by play or by artists.

And this slightly odd book of two hundred and thirty vignette engravings – all of them Shakespearean illustrations from designs of John Thurston. And there is also this 1909 Gallery of Shakespeare Illustrations from Celebrated Works of Art. Both books to browse online or to download from Internet Archive.

The University of Wisconsin’s Illustrated Shakespeare Collection takes some little effort to browse, but is well worth it.

Also, there should be the Oppel-Hammerschmidt Shakespeare Illustration Archive at the University of Mainz, but all links to it seem to be broken… Still, because the description sounds so promising, I post the link all the same, and if you discover something I missed, please let me know in the comments.

And finally, for variety’s sake, a Pinterest board, and another, and a third,

Related articles
  • New portraits of Bard of Avon found (thehindu.com)

Nearly Is Not Enough

12 Thursday Jun 2014

Posted by la Clarina in Scribbling

≈ 4 Comments

Tags

Competitions, Historical fiction, Historical Novel Society, Short Story Award

Untitled 1So it… how shall I say? It half-happened.

Let me explain: there are not many awards, prizes or competitions for historical fiction. One is the Historical Novel Society’s Short Story Award. It is an international competition, with interesting judges, interesting prizes and a high standard.

I entered a story, one I really rather like – Elizabethan England, Kit Marlowe, a couple of narrative choices I’m not unsatisfied with… I had hopes for this one. And lo and behold, when the long list was announced, my story was in it.

I was more than a little thrilled. As I said, they have high standards, and to be selected – and I’m not even a native speaker – sounded… well, it sounded good.

And then there was the wait for the short list – and a whole lot of butterflies took permanent residence in my stomach. As I said, I had hopes. And I kept telling myself level-headed things about it, but well, you know how it works, don’t you? If I had made the long list, after all, why couldn’t I…?

“And what’s going to happen if you don’t make it?” asked D. a few days ago, as I was counting butterflies.

“Well…” I said. “Nothing much, I guess. I’ll console myself with the right kind of sinful biscuits in my tea, and walk on a stormy cliff or two, and then work a little more on the story, before I send it somewhere else…” And privately I wondered: would I really be this sensible, though?

In the end, the short list came, and my story was not there.

I won’t pretend I’m not disappointed. Level-headed be damned, I may as well confess I had rather set my heart on the short list – and the anthology… And yet, I’m not half as blue as I expected I would be while I waited and tried to be level-headed about it.

I did make the long list, after all, didn’t I?gh2

My story was good enough to be noticed. Not enough to be shortlisted, clearly, but above average nevertheless. It’s something to work with. I can do better. I can polish it up, and do something else with it. And I can write a better one, and enter the HNS Award again next year…

So yes, it seems I am somewhat sensible, after all. And I can be reasonably happy over the long list. And if it is true that, as Rudolph Rassendyl says, Nearly Is Not Enough, it is nonetheless something…

A not entirely bad starting point, maybe?

 

Handwritten

07 Saturday Jun 2014

Posted by la Clarina in Scribbling

≈ 3 Comments

Tags

Alexandre Dumas, Flavorwire, handwriting, joseph conrad, Manuscript

Typhoon

Joseph Conrad’s manuscript of Typhoon.

Do you write by hand?

I do – that is, I type my stories, plays and blog posts, but for notes, lists and brainstorming I use the good old method: pen and notebook. It makes for a good deal of scribbling – which I quite like, but you won’t find me ranting against word-processors.

Indeed, whenever I find myself moving around whole chunks of writing on an electronic page, or copying and pasting, or shuffling paragraphs, or trying out different versions of a sentence with a flick of a finger on a touchpad, I can’t help thinking in some awe of all the wonderful novels, plays and poems that were written by hand – and in many cases, largely by candlelight…

Ah well, it was another time, another world – on which it is easy to open windows. For instance, by perusing these images of manuscript pages from twenty-five famous novels, collected by Flavorwire.

Quite lovely to see, aren’t they? And I like to play guessing games on what can be gleaned of each author’s method and personality…

Always remembering that Dumas Père’s precise and very neat quasi-secretary hand, covering endless large, pale-blue pages – with no punctuation at all, to save time – is rather hard to reconcile with his exuberant personality and colourful writing style.

Guessing games work only so far, but they are great fun – or else, they are great fun, but only work so far.

 

Related articles
  • Handwriting (andrewhutchinson.com.au)
  • The Original Handwritten Manuscript of an Early Version of ‘Alice’s Adventures in Wonderland’ (laughingsquid.com)
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Netless

05 Thursday Jun 2014

Posted by la Clarina in Scribbling

≈ 2 Comments

Tags

Internet, Procrastination

UnpluggedFor nearly a month.  With the scarce comfort of a friend’s wireless once a week or so. It’s been a long, long near-month – and yes, I guess I’ll give in and buy myself a smartphone, one of these days.

Still, I didn’t go mad as I thought I would at first. Why, the day I was back online I even caught myself… well, not exactly missing my netless state, but still. Because the fact is, after the first week or so of frantic despair, I adjusted rather well. No email to check every other minute, no blogs, no Pinterest, no Facebook, no Twitter, no chats, no forums, no way to google this, and that, and that again… Was it inconvenient? Very. Was it unpleasant? Well, no. In some ways it was rather… restful.

Not that it was a restful month in a broad sense – quite the contrary, in fact.

I designed lights for two different plays in three weeks, I helped launch a new association, I had two meetings of my not-quite-reading group, I struggled with two commissioned works, I shirked the commissioned works for the time it took to write the first draft a short story that wouldn’t leave me alone, I made second place in a contest (with a monologue), I prepared and gave a talk in Milan… Quite the busy month.

And so I have to wonder. Was being offline conducive to getting more things done? I can’t take it on myself to say it wasn’t. I have known for some time that the Web is my Well of Lost Hours… and not exactly “lost”, if you like, because yes, there are lots of useful things I do there – research, work, reading, studying, keeping contacts, and so on – but still.

But still.

I’m not saying I should or could do without the Internet – help and deliver us! I’d never survive, because of the kind of work I do, because of the place I live – a tiny village in the middle of nothing much – and for a number of reasons. But perhaps I could give myself the occasional offline time. A week a month, perhaps? But no, that’s both too much and too little. What about a month each year? unplug1

Which month should I choose, if I did? How exactly would I go about it? Because I know myself, and my non-existent ability to resist temptations… Nothing short of spending the month in some entirely internet-free place would hold me to it. Or perhaps I might just unhook my modem and give it to someone else to keep. To keep and hide. To keep and hide very well.

Anyway, this is something I need to think through, because I couldn’t live offline, but with some organised netlessness now and then, I could really do.

 

 

 

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Middle Aged

31 Saturday May 2014

Posted by la Clarina in Uncategorized

≈ 1 Comment

I’m back! I’m online again! As Miggs says, Ally-loojer!

That said, it being Saturday, the traditional Odds&Ends day here on Scribblings, I’ll share with you this image:

10305411_10152195371839482_6242320173720401323_nI’d love to tell you where it is from, but I don’t really know – other than that I found it on Facebook… Does anybody know?

So, hopefully with today we go back to normal. Let us see how long it lasts, shall we?

A Ghost Post

17 Saturday May 2014

Posted by la Clarina in History, Theatre

≈ 1 Comment

imagesCAG071VLI haven’t disappeared, you know?

I’m just in the midst of the worst internet crash of my life, and there’s no knowing when I’ll be online again…

So, I’m borrowing a friend’s wireless to post this thing: a Horrible Histories snippet of Shakespeare discussing playwriting with Richard III’s ghost… Love poor Richard’s grousings…

Except, of course, bad history can make for better theatre – which is very, very unfair, but not entirely unexpected.

Still, it’s all ather fitting, don’t you think? A ghost post from (momentarily) ghost blogger…

But I’ll reappear… -ear… -ear… -ear…

I think.

Give or Take a Hundred Years

08 Thursday May 2014

Posted by la Clarina in History

≈ 1 Comment

Tags

17th Century, Attila, Governolo, Historical reenactment, Pope Leo

Back in March, I was asked to help out with the reenactment of a XVIIth Century religious procession.

BorganiThe thing is, in 1614 Gabriele Bertazzolo, architect for the Gonzaga family, tried to establish my village by the river Po as the place of the meeting of Attila the Hun and the pope who would become Saint Leo the Great. He may have been right, or perhaps not: the debate about the exact place is still quite lively, and historians still are at each other’s troath over it – but four hundred years ago Bertazzolo managed to secure a handful of relics, have a small church built, and the yearly procession established.

So someone decided it would be nice to celebrate the anniversary with a bit of reenactment, and it was the middle of March when they asked me to join in the fun. I said no, because I was up to my ears in work, and because two months are a ludicrously short time to put together a decent reenactment – and also because heading the effort were a few people I know and don’t work well with.

They didn’t seem to hold it against me. Could they please, they asked, use the costumes from that son-et-lumière I had directed back in 2010? After asking what remained of the S&L staff, I told them they were welcome to the costumes, but there was very little they could use: only one Seventeenth Century outfit, the rest being Medieval and Renaissance stuff.

They looked a tad chagrined, but said all right, and next I knew, they were hiring a team of seasoned reenactors from elsewhere – the expensive but sensible choice – and never thought of the matter again. That is, until I received a few frantic calls asking for advice about what would look like XVIIth Century.

“Aren’t you having the people from Palmanova?” I asked.

“Yes, but we’d like to… you know.”

And this was perhaps a couple of weeks ago – impossibly late, considering the whole thing is going to be next weekend. Still, and with some misgivings, I sent a few sketches and a few links – and never heard from them again, until yesterday, when a local teacher told me they were having a meeting to try on the son-et-lumière costumes.Attila-PopeLeo-ChroniconPictum

“Are you sure they fit the time period?” she asked, and I told her I’m sure they don’t, and explained to her I had tried hard to dissuade our would-be reenactors from using them.

“They are a very generic Renaissance, made to be seen from a distance – more the suggestion of an outline than anything else. Even if they were the right period – and they are not! – They’ll look very bad next to the serious ones.”

My friend sighed, and told me there is worse: they are borrowing more costumes from a neighbouring village’s Medieval Fair, and more still from a parish group specializing in Bible plays. Because, they say, no need to nitpick, is there. Give or take a hundred years…

Or a thousand, it would seem.

“So you see, vague Renaissance is the least of their troubles.”

Indeed. And am I ever glad I gave the thing a wide berth! To think that Glaring Anachronism Day could be my headache now…

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