Once upon a time, years ago, I was stuck on a scene for a play. It was supposed to be a snappy exchange between two characters, one fearing for his life, and quite mad at the other for not getting the full import of the situation… As we are constantly told that good theatre (or narrative) dialogue must do, it was supposed to advance the plot and add to each character…
Except, it didn’t. No matter how I rewrote, and rewrote again, as soon as I tried to read it aloud it sounded stiff, off-key, downright wrong. I was fit to tear my hair out when my friend Flavia called to ask about something entirely unrelated. But Flavia knew me well enough that, by that small conversation about, say, rubber ducks, she could tell I wasn’t at my happiest. She asked what was wrong, and I said nothing – oh, nothing much. She pressed, and I spilled it all out. Continue reading →