Opera Mishaps

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bouncing_tosca_by_michael_fSome stories you don’t quite know how to take – especially when they begin to crop up in reference to different circumstances. One such story is that of the bouncing Tosca,  that goes more or less like this: I don’t think I’m spoiling anything if I say that, at the end of the third Act, Tosca escapes conviction and unhappiness by the drastic means of jumping off the ramparts of Castel Sant’Angelo… Continue reading

The Player’s Boy

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sam-wanamakerNo, not Bryer, and not Antonia Forest, either – although sooner or later we’ll have to talk of both.

This time it is a great article from The Idle Woman – a lovely blog about historical fiction, history and theatre. Leander went to the Sam Wanamaker Playhouse for what must have been a wonderful night of experimenting with the Elizabethan/Jacobean way of doing things on a stage – and our modern perceptions. Continue reading

Iridescence, after all

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RogerBWMany years ago, in the palace of the Ajuntament in Barcelona, I came across a set of fresco mural painting, showing how Catalan knight in shining armour Roger de la Flor, after generously saving the Byzantine Empire from some Turkish horde or other, was betrayed and murdered for his pains by the same Emperor he had saved… Bad Byzantines! Bad!

All very interesting – and yet… Continue reading

The PolyglOwl and the Pussyglot

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OwlpussycatBecause the next Ad Alta Voce meeting will be all about literary cats, I was hunting through the Net for a suitable Italian translation of Edward Lear’s The Owl and the Pussycat*, when I stumbled on a website boasting no less than 126 translations of the poem in 111 languages… Continue reading

The Truthful Things

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Coat_of_Arms_of_Duchy_of_CourlandI’ve started a new MOOC with FutureLearn – a creative writing thing. I’m still getting my bearings, but there were a few interesting things during the first week.

At one point, we were asked to write two short paragraphs – one containing three facts and one piece of fiction, and one composed of three fictions and one fact. What I found interesting was one observation during the post-exercise discussion, to the effect that, at times, the truthful things are the element that sound most invented.

And  yes – I don’t think I’d ever thought of it in these terms, but it happens often enough. Or, at least, it is surprisingly easy to have someone nitpick at things that are absolutely and genuinely true.

And I am not speaking of the dreaded But It Really Happened Like This – not at all.

A friend of mine was once berated by an editor for writing dinosaurs in a story of his, that were not plausible. Except, my friend is a paleontologist, so odds are that his dinosaurs stood on very sound scientific ground.

I’ve had my fair share of this on historical matters, but my favourite case happened with my Italian blog, the one time I tried to play an April’s Fool prank. Now, in Italy April’s Fool goes under the name of Pesce d’Aprile – that is to say April Fish – so it seemed appropriate to make up a slightly preposterous story, set it against an unlikely historical backdrop in the Duchy of Courland and Semigallia, and sprinkle it with fish-things: surnames, metaphors, knightly orders, similitudes, a little fake bibliography, a ducal banquet… you get the drift: everything, but everything had fins. I had great fun writing it, and posted it on the Ist of April – and nobody got it.

All my readers assumed that the story was genuine – all except one.

“You got the fish?” I asked her, and the answer was, “No – what fish? I very nearly swallowed it, but the Duchy of Courland and Semigallia was a bit much.”

Except, you see, Courland is a real place, or at least was for several centuries, and is still there, as a part of Lithuania. But it sounded invented. It sounded Ruritanian, I suppose, and therefore not plausible…

Now, in this case I was I was deliberately playing fast and loose with truth and fiction and, when I’m not playing pranks, it is my firm belief that playing Spot The Departure From The Sources is seldom the best way to enjoy a novel* – but I find it fascinating to see how we arbitrarily decide what is, must be or cannot possibly be true.

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* This, of course, does NOT apply to anachronisms and glaring errors.

Il Palcoscenico di Carta

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Pollock's 4ScribblingsDo you remember the Paper Stage – Canterbury’s public play-reading group? I told you about it some time ago.

What perhaps I didn’t tell you is that, after that post, Dr. Newman of the Paper Stage wrote to me asking: why not? Why not do it, why not set up an Italian chapter of the Paper Stage in my hometown?

And indeed… why not? Continue reading

How low am I, thou painted maypole?

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Speak. How low am I? I am not yet so low. But that my nails can reach unto thine eyes!

Jean Muir and Olivia de Havilland as Helena and Hermia at each other’s throat in Reinhardt & Dieterle’s 1935 A Midsummer Night’s Dream.

On the right, eavesdropping, is Mickey Rooney’s Puck.

As a smallish woman, I’ve had a lot of fun calling taller friends painted maypoles, when height came into consideration. Taller and English-speaking: I fear that the Italian equivalents “Albero di Maggio” or (more roughly) “Albero della Cuccagna” are unwieldy and not half as effective…

The Playmate and the Eiderdown

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A poem of Kipling’s. It goes with the story “Aunt Ellen”, from the 1932 collection quiltLimits and Renewals.

SHE is not Folly — that I know.
Her steadfast eyelids tell me so
When, at the hour the lights divide.
She steals as summonsed to my side.

When, finger on the pursèd lip;
In secret, mirthful fellowship
She, heralding new framed delights.
Breathes, ‘This shall be a Night of Nights!’

Then out of Time and out of Space.
Is built an Hour and a Place
Where all an earnest, baffled Earth
Blunders and trips to make us mirth;

Where, from the trivial flux of Things.
Rise unconceived miscarryings
Outrageous but immortal, shown.
Of Her great love, to me alone . . .

She is not Wisdom but, may be.
Wiser than all the Norms is She
And more than Wisdom I prefer
To wait on Her — to wait on Her!

Quite who “she” is, is open to debate. I have always liked to see in this charming lady either an imaginary companion or a child’s quirky and playful imagination…

Anyway, here you can find the story – and it is of the laugh-out-loud variety. One has to wonder at the sharp contrast with another, similarly named aunt, Helen Turrell, in The Gardener…

Ah well, we’ll come to that one too, sooner or later. For now, have fun with Aunt Ellen, and the eiderdown quilt, and cars that bound marsupially with a noise of ironmongery in revolt.