When I found out that there was an Italian edition of Conrad’s Lord Jim for children, reading age 10+, I couldn’t rest until I saw it with my own eyes.
Because, really: from age ten? Ten?! And I wondered because, on first reading it at the slightly more mature age of sixteen, I’d found LJ such hard going. I’d also eventually fallen in love with it in several fundamental ways – but, heavens above, it had been hard. And mind, I don’t mean technically difficult to read – although both language and structure are definitely not easy – but emotionally exhausting. And here was this children’s publisher, springing it on ten-year-old kids? Continue reading
The 18th century is lazily going by in the fictional English town of Airenchester, when we meet hour hero, Thaddeus Grainger, the type of young gentleman of means and taste. A bright, clever, careless boy in the words of his doting housekeeper, Thaddeus is in equal parts bored and disillusioned when it comes to the fine society he confidently belongs to, but that is the way of things, and what is a fellow to do – except navigate the currents, and keep apart from the worst of it? In fact, Thaddeus’s only rebellion is to cultivate the close friendship of reasonably genteel but penniless William Quilby, a vicar’s son and journalist… 
I remember picking up Matthew Plampin’s Will and Tom in the bookshop at the Tate Britain – and then putting it back, just as I’d put back half a dozen other hardbacks in the last day. In truth, after lugging many and many and many pounds of books across Europe over the years, I’ve learned, when I’m travelling, to only buy the ones that can’t conceivably be procured through the Net – either digitally or physically. So I jotted down the title in my notebook’s dedicated page, and in time the novel found its way to my Kindle. Then, for some reason, it took me a few years to get round to actually read it. If you have a To Read List of any length, you know how these things happen… 
A couple of weeks ago my mother discovered, with considerable amusement, the existence of Talk Like a Pirate Day, and asked why I didn’t post about it.
How my father happened to lose his own old copy of Gösta Berling’s Saga, I have no idea. When it came to books, the Colonel was an odd mix of jealous worship and carelessness… But somehow or other the book was lost.
Obviously Scotland does this to me: it sends me on Jacobite tangents. Fictional tangents, mostly – because really, the moment you try a history book, the whole adventure loses much of its shine. Then again, seven decades of intermittent and unsuccessful attempts at restoring a royal line with the dubious aid of a foreign power were bound to be, on the one hand not terribly well organised, and on the other, perfect novel material… I mean: how can you have plenty of exiles headed by a handsome and charming prince, loyal clans, recurring bursts of violence, conspirations, secret messages, toasts to the King Across the Water, songs, divided families, spirited ladies, battles, and an ultimately doomed cause – and not expect an abundance of fiction? And of course, the foremost charm of the Jacobites is that of the doomed and defeated. Would we care very much about them, would we write novels, if they’d won? 
Do you remember my Reading Week – the one I could not have this year?
There is no doubt that, when it comes to researching historical novels, there is a Before the Internet and an After the Internet.
A few days ago I was talking books with a reasonably educated and definitely adult acquaintance – and, on saying that I’ve read a good deal of Dickens through the years, I earned a raised eyebrow and this question: but isn’t Dickens a children’s author?
I first came across Tom o’Bedlam via Kipling – in 