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Author Archives: la Clarina

The Marlowe Papers – the play

17 Tuesday May 2016

Posted by la Clarina in Theatre

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Brighton Fringe Festival, Jamie Martin, Nicola Haydn, play, Ros Barber, The Marlowe Papers

Untitled 31Have you read Ros Barber’s The Marlowe Papers? If you haven’t, do. It’s a wonderful book – a novel in blank verse about Kit Marlowe… In spite of it being yet another take on the Marlovian side of the Authorship Question, I truly loved it – and I’m an orthodox Stratfordian… Continue reading →

Faustuses

14 Saturday May 2016

Posted by la Clarina in Theatre

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christopher marlowe, Doctor Faustus, Globe theatre, posters

I  expected it would be easier to gather a collection of Faustus posters… Anyway, this what I managed to put together:

Faustus1

GlobeFaustus035

Untitled 25

Untitled 22

Untitled 29

Untitled 28

Untitled 23

 

Translation blues

12 Thursday May 2016

Posted by la Clarina in Lostintranslation, Theatre

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blank verse, Elizabethan English, English to Italian, period language, the wise peasant girl, theatre, Translation

TranslI’m working on a translation project.

Not an extremely huge one – but one I’ve been dreaming about for some time, and of a sort that makes me quake a little.  I know I’ve claimed again and again to have no faith in literary translation, but this… well, this is different.

Theatre. Elizabethan. Complicated… Continue reading →

Henslowe at the Globe

10 Tuesday May 2016

Posted by la Clarina in History, Theatre

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1616, Edward Alleyn, Elizabethan theatre, Grace Ioppolo, Philip Henslowe, Shakespeare's Globe

Henslowe

Geoffrey Rush as Henslowe in Shakespeare in Love

Even apart from Shakespeare’s death, 1616 was a momentous year, theatre-wise,  and Shakespeare’s Globe is going to make the most of it, by celebrating this year’s numerous anniversaries with a host of events, shows, talks, concerts…

This month, the focus is on Philip Henslowe, one of the two great impresarios of Elizabethan theatre, Edward Alleyn’s father in law, and the man whose diary, preserved through the centuries, gave us most of what we know about the daily business of playhouses and companies. Continue reading →

Guillermo Erades: All true stories are fiction

07 Saturday May 2016

Posted by la Clarina in Things

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Guillermo Erades, Truth and fiction, Work in Progress

AredesFarrar, Straut and Giroux’s Work in Progress is always a source of interesting and thought-provoking reading material.

Lately I’ve been musing quite a bit about readers’ expectations and writers’ attitudes when it comes to fiction, truth and reality. So when I opened the WiP newsletter and found a post on the subject by Guillermo Erades, it felt like a piece of serendipity.  And I know it’s nothing of the sort – a lot of writers find themselves musing inevitably about this – but indulge me. It’s Saturday, and I like my serendipity. Continue reading →

Too much imagination

05 Thursday May 2016

Posted by la Clarina in Poetry, Stories, Things

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imagination, john masefield, Salt-water Ballads

MasefieldOnce upon a time, in late Nineteenth-Century England little John Masefield lived a happy childhood, with a loving family and a love of books. Then his parents died, and the boy’s guardian, an aunt out of Dickens, sent him off the Conway, the training ship of the Merchant Navy, to cure him of his “book-obsession”.

Young John, you know, had “too much imagination”.

It could have been worse, because the lad loved the sea, and the Conway proved to be a congenial environment, where tutors and fellow students liked his turn for storytelling… Except, poor John was not made for the rigours of service. Once a petty officer, he embarked on his first transatlantic ship, and the voyage was a nightmare of ill-health, fevers and dizzy spells – awfully dangerous, when you are expected to spend half your life climbing up and down the rigging… Continue reading →

No Piece of Cake

03 Tuesday May 2016

Posted by la Clarina in Things

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art, McNair Wilson, Tea with McNair

Tea&computerI first came across McNair Wilson’s blog a few years ago, one dark and stormy night…

I drove home after a day of truly dismal rehearsals, gloomy because the director was down with the flu, and the company showed little inclination to mind the assistant director – that being my little, raw, inexperienced self. As a result, things weren’t going terribly well. Add that the seamstress was late with the costumes, and the one electrician a pain in the neck, and you’ll see why I was gloomy about the impending disaster… Continue reading →

A Scrap of Squared Paper

28 Thursday Apr 2016

Posted by la Clarina in Scribbling, Things

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finds, Kit Marlowe, notebook, Thomas Walsingham, writing

ScrapIt turns up in a book I hadn’t opened in some time. It slips out from between two pages, and flutters its way to the carpet before I can catch it.

It’s a scrap of squared paper, a leaf from some old notepad from my previous life, carrying an ugly yellow logo and covered in many-coloured scribbles.

First of all, written in blue ball-point pen, a snippet of dialogue between Kit Marlowe and Thomas Walsingham… Continue reading →

Gloriously Melodramatic

26 Tuesday Apr 2016

Posted by la Clarina in Theatre

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Atlas Obscura, Ellen Terry, George Rignold, Photographs, William Shakespeare

HenryDid you think we’d be done with Shakespeare after the 23rd? Not so!

My friend Davide, over at Karavansara, knows of my Shakespeare obsession… Well, perhaps it is more of an Elizabethan obsession, with a soft spot for Shakespeare and a softer spot for Marlowe – but because it is longish this way, “a Shakespeare obsession” is good enough most of the time.

So, Davide knows, and, being much better at browsing the net, keeps bringing to my attention Shakespearean bits upon juicy Shakespearean bits… Continue reading →

#Shakespeare400: Eyes not yet created and tongues to be

23 Saturday Apr 2016

Posted by la Clarina in History, Theatre, Things

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Shakespeare400, William Shakespeare

Shakespeare400bAh, Master William Shakespeare, who died four hundred years ago, as of today… The man who went about promising immortality – or at least eternal fame – to fair youths, through his poetry… Although, as it turned out, it meant that the poetry, and not the youth’s name, would be read by eyes not yet created and rehearsed by tongues to be. Our own, for instance, four centuries later.

Because here we are, reading, and rehearsing, and admiring, and asking questions, and translating, and staging, and doubting, and if you say “theatre”, most people will picture in their mind Hamlet with the skull, or Romeo climbing Juliet’s balcony… Continue reading →

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