We have this ongoing disagreement, my friend Milla and I. A friendly disagreement, mind – but still.
It is all about poetry, you see. Or at least, about quoting poetry – and the occasional bit of prose – at what Milla deems to be the wrongest moments. I, on the other hand, argue that not only there is no wrong moment for poetry – but, on the contrary, there is very little in this world that can’t be made at least a little better by a few well-chosen lines. Continue reading
Apart from or the Erasmus Year in Cardiff, my University years were spent in one of the smaller colleges in Pavia, the good old Gandini, housed in a wonderful 15th century palace right in the town centre. It was a pleasant place to stay, and I made a number of good friends there – and I played cards more than I ever had before or have since.
I confess: I’ve never read anything by Bernard Malamud. It’s very possible that I’ll correct this state of things in a near future – but let me tell you a story first.
Once upon a time, I contacted this American writer, asking about his play featuring Kit Marlowe – published but impossible to find. Because there was no answer, I tried with the publisher: was there any way to get in touch with the author, and/or acquire a copy of the play? Now, you see, I’d done it before – and usually authors are pleased to find someone interested enough in their work to seek them out. Why, I’ve e-met several wonderful people, that way…
So I was asked to read a manuscript, with an eye to a possible stage adaptation. It happened in that roundabout way that entails friends and friends of mutual friends… I’m sure you know how it is. And because of some initial insistence that I should meet the author first, or I could not really understand, I went in with a certain amount of wariness…
Once upon a time, I was in church, attending a funeral. I may as well confess beforehand that I’m not much of a church-goer and, when I can’t help going, I have this tendency to wander off in my head…
Whether it’s games of Twenty Questions, awkward conversation, or other reasons, now and then one will inevitably get asked: what’s the first thing you notice in a person? Well, for me it’s the voice.
Here I am, dreaming of a White Christmas – and not likely to have one, it seems, except for the frost. And I’m not exactly pining, but I sigh, and mumble to myself, and hopefully study the skies, and this kind of things.
I like my tea with milk.