Richard, Gino, Laurence, Peter

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RichardPepponeBack in the day when I spoke very little English, my first meeting with Laurence Olivier happened through the dubbed version of his Richard III, in which Richard was voiced by Gino Cervi. Now, Cervi is a fine actor, but in Italy he is mostly known for playing the earthy mayor Peppone opposite Fernandel’s Don Camillo, in the movies based off Giovannino Guareschi’s books. So… let us say that it was a trifle disconcerting to have Richard speak with Peppone’s voice.

When, a few years later, I saw the movie in the original, I was prepared to fall for Olivier’s voice – except, I didn’t. Trouble is, I have a predilection for deep, dark voices. baritones, basses. Also, the way Olivier uses his voice – while deeply individual and very forceful… well, let us say it doesn’t always help.

Then, to make things a whole lot worse, I was pointed to Peter Sellers’ parody of Olivier’s Richard – via the Beatles…

There. See what I mean by “a whole lot worse”?

Seven books I wish I had written

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BooNot necessarily my favourite books… well, some of them, yes – but for the rest… Let’s say, seven books that, for one reason or another, I can dream of having written myself.

1. Joseph Conrad’s Lord Jim. Yes, yes, I know. But it’s a matter of power, depth, beauty and intensity… Continue reading

History & Stories

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HistoryIt strikes me that this particular piece of K-wisdom is a near-perfect motto for this blog…

And it’s not unlikely I’ll adopt it as such.

Incidentally, it goes very well with Kipling’s two books of “history” stories, and his other occasional foray into historical fiction. There are not many – just enough to make me wish he had written more.

Also, this would make a nice answer to the unavoidable question of Why Historical Fiction…

Were you ever asked? And what did you say?

The Organist and the Sailor

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Organist drawingFor many years Noreen Hennessy was quite the character in Sydney, where she worked as the resident organist at the Prince Edward Theatre. Now, I was surprised to discover that theatres and cinemas (and the Prince Edward doubled as both things) had resident organists long after the transition from silent films to talkies – but they did, and they were often very famous and popular. Continue reading